Photos of Cleopatra Selene’s Lost World

The ancient kingdom of Mauretania, once ruled by Juba II and Cleopatra Selene, is lost to the sands of time. But there are the ruins. I’ve posted photos of the area near Selene’s capital city, Iol-Caesaria, modern-day Cherchell Algeria. Now, thanks to Aaron Sakulich, I have the opportunity to share some images of the other major city of Mauretania: Volubilis. I’m amazed at the majesty these ruins hint at. I can imagine Selene riding a carriage along this road, passing under the triumphal arch, and walking in the shade of these columned avenues. I can see her feet sweeping along these mosaics, or climbing these stairs. Let’s take a little journey back in time.

Entertainment in the Court of Juba II & Cleopatra Selene

Cross-posted from: Unusual Historicals Blog

Entertainment in the ancient world relied upon trained performers. Such training didn’t come cheap, so royal patronage was highly sought after by would-be entertainers. The most prestigious patronage to secure in the Augustan Age was, of course, the imperial court in Rome, but if a budding young entertainer couldn’t find a place there, other opportunities beckoned.

Outside of Rome, the most prestigious royal court was probably that of King Juba II and Cleopatra Selene in Mauretania. Mauretania was the largest client kingdom in the empire and it was ruled by two remarkable individuals. King Juba II was a scholarly king who had been raised as a ward of Augustus and had a discerning eye for expensive things and fine talent. His queen was Cleopatra Selene, daughter of the more famous Cleopatra VII of Egypt. Selene had been raised in Alexandria, which gave her a glamour and sophistication–and when it came to entertainers, only the best would do.

The king and queen were enthusiasts of plays–and one of the first things they built in their new kingdom was an outdoor theater, carved into the hillside, in Greek fashion, with stepped seats for playgoers to gather on. There, actors would bring to life the plays of Sophocles, Euripedes, and Aristophanes. Some plays that may have been performed on that stage are still popular today, including Medea, Oedipus the King, and Antigone. But new works were undoubtedly commissioned and enacted as well, for we know that one tragedian, Leonteus of Argos, was a member of the Mauretanian court.

Having a court poet was a a sign of status in the ancient world. Certainly, Augustus made the most of his stable of poets to reshape his image. The poetry written during his reign has outlasted many of the histories. The poet as chronicler was a long-standing tradition. So, while Virgil, Horace and Ovid penned verse in Rome, Cleopatra Selene and Juba II certainly had a court poet of their own, and he was almost certainly Crinagoras of Mytilene. The venerable old poet was a man of some distinction, having apparently served as an ambassador. He rubbed elbows with the highest society–he seems to have been present when Caesar indulged in his scandalous affair with Cleopatra and undoubtedly met the Queen of the Nile when she was in Rome. Perhaps this is when the Greek Epigrammatist took an interest in Cleopatra and her children, for he is best known for the verse he wrote in honor of her daughter, Cleopatra Selene. His two most famous works were written on the occasion of Cleopatra Selene’s marriage to Juba and upon her death during a lunar eclipse.

More lighthearted entertainment was to be had in Mauretania too. We know that the King also employed mimes, for one of them, a young girl named Ecloga, apparently died in Rome. (The connection between Juba II, Cleopatra Selene and the imperial family in Rome was a close one and it’s quite likely that the king and queen maintained a home there in which they entertained in high style.)

Given King Juba’s lineage as a Numidian and his alleged horsemanship, it’s likely that chariot races were a common type of entertainment in Mauretania. However, instead of a circus, we find amongst the ruins of the Mauretanian capital city of Iol-Caesaria, an amphitheatre. Though gladiator games in which the fighters battled to the death were unknown in Cleopatra Selene’s native Egypt, Mauretania was filled with Roman veterans who expected such entertainment as their due. Consequently, the amphitheatre would have been a hot spot for the subjects of Cleopatra Selene and Juba II to gather for bloody entertainment.

One last form of entertainment in Mauretania is worth mentioning. In North Africa, then, as now, snake charmers mesmerized and entertained passersby with cobras who would lift up from their baskets to dance for their owners. Given that Cleopatra Selene’s mother was said to have committed suicide by surrendering to the bite of one of these vipers, one has to wonder how much Selene enjoyed such displays!

Stephanie Dray’s debut historical fiction novel, LILY OF THE NILE , was just release by Berkley Books. The sequel is expected to release at the end of 2011. Both novels are set in the Augustan Age and feature Cleopatra’s daughter.

The World as Cleopatra Selene & Juba II Would Have Known It

Many thanks to the Ancient World Mapping Center for giving me permission to post this map in anticipation of the release of Song of the Nile, my forthcoming novel about Cleopatra’s daughter. I’m delighted to be able to share it with readers.

World of Juba II & Kleopatra Selene Map

Courtsey of the Ancient World Mapping Center (

Pictures of Juba II & Cleopatra Selene’s Capital City

The capital city of ancient Mauretania was Iol-Caesaria, which is located in modern day Cherchell, Algeria. It often helps me, when I’m writing, to have visual reminders of where my characters lived–to make the setting come alive. Frankly, very little of Selene and Juba’s reign remains. The ruins of an amphitheater where games were held has been identified as well as an outdoor theater carved into a hillside–either Juba and Selene started building this before the more advanced Roman architecture for a theater came to prominence, or Selene’s Alexandrian influence had its way.

How Romanized Iol-Caesarea looked must be constructed largely from the imagination, but I thought I’d share some of the photos with you. These are courtesy of Jean-Pierre Dalbéra or otherwise available in the public domain or for fair use.

This Roman building would later be used as a mosque by the Arabs, but it’s interesting to theorize what it may have been used for during Selene’s time. The picture also includes a fountain within the park, complete with classical statuary.

This is the remains of the mammoth tomb that Juba II and Cleopatra Selene are believed to have been buried in. While some of the construction style is said to have an older Berber cast to it, the rest is reminiscent of styles adopted by the Greeks and by Augustus, in particular. It may have been built on an older foundation. Unfortunately, the monument has been badly damaged by subsequent cultural invasions and it is believed to have been used for target practice by the French.

Note the very wide avenue marked off by columns. The building at the end of the path shows a later, Arab influence, but the terra-cotta rooftops would have been the same in Selene’s time.

This is the museum that now houses the statues and relics that remain of Romanized Mauretania.