Of the three women you’ll meet in The Women of Chateau Lafayette, Marthe Simone is the only fictional composite character. She was inspired by many actual women living at the chateau before and during World War II.
How and why I decided to fictionalize Marthe Simone.
When I first learned that Jewish children were saved at Chavaniac during the Holocaust, I was deeply moved. French resistance fighter Charles Boissier testified that almost the whole village was pledged to the cause. Chavaniac is a very small village, and yet, maquisard Aimé Montiel testified that almost sixty of these villagers fought alongside him. And in apparent defiance of Nazi occupation, the chateau issued a pamphlet saying they did not discriminate on the basis of religion.
In light of all this, I was excited to show how the work of Adrienne Lafayette and Beatrice Chanler culminated in heroism at Chavaniac. Imagine my surprise, then, to discover that this most modern period at the castle was the one about which the least is discoverable. Though communications between the Free Zone and America were possible before 1942, my research uncovered complaints from the chateau’s American benefactors that they weren’t even sure the Lafayette Preventorium was still operating.
There wasn’t much more information to be gleaned on the other side of the ocean. When I visited Chavaniac, guides told me castle records for the Second World War no longer exist. This was later confirmed by Myriam Waze, a founding member of the Lafayette et Liberté association. Thus I was forced to rely on other sources—like Giséle Naichouler Feldman’s touching memoir entitled Saved by the Spirit of Lafayette.
Giséle and her brother were hidden and protected at the chateau—and she recounts that an additional fifteen Jewish children were brought to the preventorium, betrayed by a supervisor, and escaped high into the mountains with the help staff and resistance fighters. Unfortunately, this recollection does not name the persons involved in orchestrating the escape. Ms. Feldman also asserts that her brother witnessed resistance fighters storing weapons under the floorboards at the boys’ dormitory of the preventorium, but again, does not say which staff members aided or abetted them. The Resistance had a friend in the aging Marie-Louise LeVerrier, whose carefully worded letters, reprinted in the American Friends of Lafayette Gazette, tell us not only about the young German soldier who was beaten to death at the train station, but also that the castle’s museum collection, including George Washington’s dueling pistol was hidden from the Nazis. Yet she doesn’t say where or by whom. Resistants praised the women of Chavaniac for marching on Bastille Day in defiance of the Nazis, but didn’t name which women of the castle took part. Charles Boissier tells us a fifteen year old boy from the preventorium joined the resistance, but not which one.
These mysteries presented a real challenge. I had overwhelming evidence that heroic acts took place at and around Chavaniac—often by women and often in Lafayette’s name, as the true story of Lafayette’s stolen statue and The Secret Army of Lafayette attests—but I couldn’t know who the heroes and heroines were.
I did know that after the Fall of France, the Baron de LaGrange served as interim president of the preventorium and his twenty-five year old daughter Anna took over as acting president after her father’s arrest by the Gestapo in 1943. Yet, there are questions surrounding his arrest, which is commemorated by a brass plaque across from the Church of Saint-Roch. Discussions with modern-day residents of Chavaniac indicate that the baron’s reputation is complicated. It’s likely that the baron was not arrested for heroic resistance, but simply because he could serve as a high-status hostage. Yet, in Témoignages de résistants: 1940-1945, a collection of first-hand recollections from the French Resistance–excerpts of which were generously provided to me by the US Holocaust Memorial Museum–one resistance fighter went out of his way to say that Amaury de LaGrange was arrested by the Nazis because he refused to collaborate in connection with his aviation training school.
Given that the baron was the president of the influential French Aeroclub, that’s certainly possible, and because of his honorable and heroic service in the First World War, not to mention his generally favorable view of western democratic ideals, I would very much like to believe it. Unfortunately, the evidence is mixed. LaGrange seems to have been on good terms with the Vichy puppet government of France, and in a letter to his son, he praised Marshal Petain for his negotiating skills. On the other hand the baron also praised the Marshal for trying to be rid of Pierre Laval, who was seen as a far more malevolent collaborator. LaGrange himself corresponded with the German Baron Von Sichart who wanted his opinion on how to gauge Americans entering the war. Yet, far more damning is the fact that the baron testified for the collaborationist prosecution at the Riom Trial.
To paraphrase LaGrange biographer, André Vignon: in the darkest hour of his country’s moral need, LaGrange gave his support not to the forces of moderation, democracy and progress for which he had fought most of his life, but to a Fascist regime. To put it mildly, taking part in a show trial was not the baron’s finest hour, and though it’s easy to judge from a distance of more than fifty years, it remains difficult to make sense of the family position on these matters. I don’t know what Emily thought about the Riom Trial but chose to portray her as disapproving, simply because I hope she was.
How the baron’s daughter and successor felt can only be surmised. Anna, who was actually a young mother raising a baby in the village during the war, left behind little for me to unearth. In letters, Beatrice described Anna as being very beautiful but seemingly unaware of it. She also described Anna as being athletic and having knitted for the orphans when she was herself a young person. Unfortunately, I was unable to get much more of a picture from Anna’s descendants. How much about Anna’s political opinions could I infer from her husband, who became a conservative Catholic newspaperman in the aftermath of his release from a German prisoner camp? Did Anna know Jewish children were being sheltered at the preventorium—and if so, did she approve? Given her family’s longstanding public service, I think it likely she would shelter Jewish children, but given her father’s casual anti-semitism, I couldn’t be sure. Did Anna know guns were being hidden under the floorboards at the boys’ dormitory? Again, I think it highly likely since her brother-in-law, American spymaster Henry Hyde, was arming the French Resistance. (Fun fact, Henry Hyde was the son of James Hazen Hyde who first took Beatrice Chanler to see Chavaniac.)
Given the instrumental role that Anna and her mother Emily played at the castle, it would have been unconscionable to leave their valiance out of a story about its history. But without more information, I couldn’t make either of them the heroines of the novel. I love to write biographical fiction, but given that the history is fraught and relatively recent, I was wary of lionizing real historical figures who might not deserve credit or demonizing any real person who might not be guilty.
That’s where fiction came to the rescue in the form of Marthe Simone.
If someone was going to help the resistance, and hide Jewish children, she ought to know the area well. Which is why I decided she would also be one of the twenty-five thousand children who were ultimately helped there–an orphan who was raised at the castle herself. I noticed that in the 1918 yearbook for the preventorium, a bishop in Amiens refers to the plight of thousands of so-called children of the frontier, orphans and refugees, many of whom had unknown origins, and were saved by the women of Chateau Lafayette. Then I found a picture from the castle—a child with flaxen braids, a lone girl sitting in a classroom of boys, looking straight at the camera with challenge in her eyes, as if demanding to be noticed.
I see you, I thought. And thus, Marthe was born.
I made Marthe a teacher because Petain’s national revolution was first directed at educators. They were endlessly lectured against the French Revolution and Lafayettist notions of liberty, and required to spread the regime’s propaganda. I also made Marthe an artist as a tribute to Chavaniac artist-in-residence Clara Greenleaf Perry and the nearly 150 known forgers working in occupied France. This, of course, tied into the historic police officer Marcel Fachaux who was in charge of arresting Jews, but he and his wife gave them forged papers instead. (You can learn more about actual heroic forgers here.)
In fact, according to Peter Grose’s A Good Place to Hide, while some forgers laboriously carved stamps modeled on the official versions, others made clever use of the primitive copying tablets used by school teachers. One of the actual resistance fighters from Chavaniac, Eugene Laurent, describes having been helped to go into hiding by a teacher at Chavaniac, so I decided that would be Marthe.
In short, historical fiction authors look for patterns and omissions in the records, and what I found was a Marthe-shaped hole.*
- This information taken in large part from the Author’s Note at the back of The Women of Chateau Lafayette
An Excerpt from Marthe’s Point of View
The Free Zone
I’ve almost made it, I think, pedaling my bicycle faster when I see the castle’s crenelated tower at the summit. I’ve ridden past yellowing autumn farmland, past the preventorium’s dormitories for boys, and past the terra-cotta-roof-topped houses of the village. And despite blistered feet and scuffed saddle shoes, I’m feeling cocky.
As I near the castle proper, I’m no longer worried anyone is going to take what I’ve carried all this way, which is probably why I’m so surprised to see Sergeant Travert’s old black Citro‘n parked by the village fountain.
Malchance! What shit luck.
Sergeant Travert patrols our village every evening on his way home. For some reason the gendarme is early today, and having stalled out his jalopy, he’s got the hood up to repair it.
I try to ride past, but he notices and waves me over.
My heart sinks as Travert approaches, doffing his policeman’s cap, then resting his hand on his holstered pistol. “What have we here, mademoiselle?”
I pretend to be calm while he peers into my bicycle pannier baskets. “Just some supplies from Paulhaguet.”
That’s the nearest little town, where I bought dried sausage with ration coupons, but I traded on the black market to get sugar, paper for my classroom, and medicine for the doctors at the preventorium.
Black market barters for hard-to-find goods are illegal. I took the risk anyway for a good cause, but I had a selfish motive too. One the snooping constable uncovers with a disapproving arch of his bushy brow. “Cigarettes?”
According to our new leader, Marshal Petain, Frenchwomen who smoke-not to mention foreigners and unpatriotic schoolteachers-are to blame for France’s defeat.
Personally, I think it had more to do with Hitler.
Maybe it even had to do with military leaders like Petain who believed in fairy tales like the stupid Maginot Line to keep us safe. I can’t say something like that, though. I shouldn’t even think something like that about the Marshal-the man who saved France in the last war, and, as everyone says, the only man who can save us now.
But merde, what smug idiots got us into this war?
Hitler’s panzer divisions rolled past French defenses five months ago. The Allies fled at Dunkirk, leaving forty thousand French soldiers to cover their retreat and hold the Germans back. All for nothing. Eighteen days later, we surrendered, to the shock of the world. Like almost everyone else, I was relieved; I thought the fighting would stop and that Henri would come home. But now a swastika is flying over the Eiffel Tower, and France-or what’s left of her below the line of demarcation-is neutral while Britain fights on, alone.
Almost two million French soldiers are prisoners of war-including Henri. My Henri. Given all that, smoking is the only thing keeping me sane, so the lie comes easily. “The cigarettes are for the baron.”
The gendarme looks over his shoulder at the castle and says, “I took the Baron de LaGrange more for a man who prefers a pipe.”
The baron is now the acting president of the preventorium. The baroness trained as a nurse in the last war and has a knack for organization, but unfortunately, women aren’t supposed to run anything now, so her husband got the job. And as the founder of an elite pilots’ training school and a senator with connections in the new Vichy government, the baron is too powerful to question about cigarettes.
Travert knows it and knits those bushy brows.
For a moment, I think he’ll shrug and walk away. Instead, he sweeps autumn leaves off the low stone wall and leans against it. “It gets lonely around here these days, mademoiselle, does it not? Tell me, what does a schoolteacher with such pretty blue eyes do when class is not in session?”
“I lie about eating chocolates.” What does he think? There are four hundred sick children to feed at the preventorium-which means growing vegetables, milking cows in the dairy, and helping to raise and butcher pigs.
Every day since the war started has been a struggle, but I don’t think he cares about that. No, I think the gendarme is after something else when he reaches for my wrist and traces it with his thumb. “Your tone is sharp, mademoiselle. You ought to show more respect for an officer of the law.”
I probably should, considering he could arrest me or seize my ill-gotten goods, but I’m too angry that he’s touching me. I don’t think he’d dare if I were wearing my engagement ring. It’s tucked under my scarf, hanging from my neck on a chain because it kept slipping off a finger that has become, like the rest of me, thinner than before the war. Thinking about it makes me combative. “You really want to know what I do when I’m lonely? I kiss the picture of my fiance, praying for his safe return from his prisoner of war camp.”
That’s enough to shame the gendarme, who shrugs like he was just testing me. “I wish all Frenchwomen were so devoted.”
Sure, I was so devoted that I made Henri wait until the very last minute, once it was too late to arrange the wedding he wanted. Feeling miserably guilty, I look away, and the gendarme notices. “You’re certain you have nothing to hide, mademoiselle? Your cheeks are pink!”
“The air is chilly,” I say, tugging my old red beret down over my ears. “And I exhausted myself standing in line at the shops in Paulhaguet all morning, and on the ride back.”
This is a stupid lie, because Travert knows I’ve been hiking, camping, and hunting in these rugged woods since I was in pigtails. A bicycle ride isn’t enough to wind me. Then again, everything is harder when you’re hungry.
Travert puffs out his barrel chest. “Exertion is good for you. The Marshal says to stay fit. Get lots of exercise and fresh air.”
I could outrun Travert in a footrace any day, but I’d rather not have to, so I settle on sarcasm. “We must fight the rot of la decadence and restore the honor of France, no?”
He laughs, and I laugh too, but neither of us is amused.
According to the Marshal, the honor of France is so fragile that it was lost to art, accents, women, and wine. Meanwhile, on the BBC, the rogue General de Gaulle says French honor can be restored only by suicidal resistance against the Nazis.
I don’t believe either of them.
These days it’s hard to believe in anything but self-interest. And it’s self-interest that saves me. Tempted by the dried sausage peeking out of its paper, Travert breaks an end off for his lunch and leaves me the rest. “Au revoir, mademoiselle.”
He knows I’m guilty of black market bargaining or he wouldn’t have taken a piece of my sausage, so I don’t argue. “Adieu!”
Once inside the castle gates, I dodge mud puddles in the drive, where the ambulance has been stranded for a week without fuel. The children are at recess wearing scout uniforms; it seems everyone wears a uniform of some kind these days to restore our morals.
A fair-haired eight-year-old who came to us from Lille afflicted with rickets now hops off the swing set, her corkscrew curls bouncing as she runs through fallen leaves to greet me, calling, “Maitresse! Maitresse!” She’s followed by an asthmatic fifteen-year-old from Toulouse, who is almost cured and ready to go back to her family.
Both girls are curious about my packages, so I scold, “No peeking. It’s a surprise for the kitchen.”
The littlest’s eyes round. “Did you find cat tongue cookies?”
Our Lafayette kids all love the buttery crisps sent to us by Madame Beatrice from New York; they don’t know our supplies are dwindling because of the blockade. For the children, the war seems far away, and we want to keep it that way, so I say, “We have to save the cookies for Christmas, but you might get a little sausage in your lentil soup. Now, go play before nap time.”
When the girls run off, I stow the bicycle, tuck the cigarettes into my back pocket, and take the parcels to the old feudal guardroom kitchen, which the baroness has all but transformed into a modern canning factory. She’s determined to pickle and preserve every last edible thing before winter sets in, assisted by the school’s doyenne, Madame LeVerrier, and the foundation’s secretary-general, Madame Simon-both of whom are as much a part of the castle as the wooden shutters on the casement windows.
Working beneath old copper pots that hang from the vaulted ceiling, the three women greet me as a heroine for finding even a little sugar. But I don’t stay to bask in their praise, because the last thing I want is to be pressed into making wild strawberry preserves.
I’m in such a hurry to escape canning duty that I nearly plow over poor Dr. Anglade, who is coming down the castle’s winding main staircase with a tray of syringes. When he sees what I’ve got for him, though, his stern expression melts. “Sulfonamide,” he whispers reverently. “Dr. Boulagnon said he didn’t expect a shipment in Paulhaguet for a week. Where did you get it?”
“It’s better you don’t ask too many questions.” Or at least, that’s what Madame Simon told me when emptying the preventorium’s discretionary cashbox to send me on this mission. She also said, When there’s a war on, it’s best not to tell anyone anything they don’t need to know.
Now Dr. Anglade eyes me warily through his round, wire-rimmed spectacles. “Can you get more?”
I shake my head. It’s somebody else’s turn to risk trading on the black market. Doing it once was impulsive. Twice would be stupid. I’ve always believed that you shouldn’t put your neck out for others unless you want it chopped. So, having done my good deed, I trudge to my classroom, a plain chamber featuring rows of wooden desks for little girls and one for me. Over the door hangs a new portrait of the Marshal, white-haired, white-whiskered, and in uniform. Every teacher in France is supposed to enlist children to send drawings and letters and stories to the new head of state as a so-called Christmas Surprise for the Marshal.
I resent this. Our sick kids are with us at the preventorium only between six months and two years, until they’re cured. My job is to see they don’t fall so far behind in schooling that they can’t pass the examinations for their certificate of primary studies. I teach them reading, writing, and basic mathematics. I don’t have time to teach them about the Marshal or his so-called new National Revolution. Or maybe I just don’t want to, because my feelings about both are mixed. Not that I have the right to judge. I’m no war hero, and everyone says the Marshal is doing the best he can. After all, with half the country occupied by the Nazis, we’re all held at gunpoint, and it’s impossible to know which of the new laws the Marshal is forcing down our throats and which Hitler is forcing down his.
Brooding about this, I make fifteen copies of tomorrow’s spelling test, spreading the master copy out onto the hectograph tablet until the ink is ready. Then I carefully press paper to the gel and smooth it until it’s a perfect mimic. I’m always particular about making worksheets, because it’s about as close to a creative art as I get now that we’re short on pens, paper, charcoal, and paint. And while the copies dry, I look over the Christmas Surprise assignments.
One of my students has drawn the Marshal as a lion wearing a French military cap, because I told her he was called the Lion of Verdun-and I laugh because she’s given her lion a mustache. I’m less amused by the sycophantic essays written by the older girls about how the Marshal has given France the gift of his person. Maybe I’d be feeling more charitable if Henri weren’t in a prison camp under the terms of surrender the Marshal negotiated.
I’m still hungry after a few slices of dried sausage at my desk. Here in the countryside we still have eggs and fruit and even butter-but it never seems like enough. Cigarettes take the edge off, so I’ll have to find a secret spot in the castle to smoke where I can’t be caught by our household management teacher, Faustine Xavier, a prissy little tattletale, who always wears her starched collars too high and her hair pinned too tight. Fortunately, I know all the secret spots. The old hidden feudal passages are too cold this time of year and I’m too claustrophobic to spend much time there anyway, but the attic has sunny windows, which makes it a favorite haunt of the castle cats-and I like it too.
It’s where I used to sculpt and sketch, but no one goes up there anymore, so when I push the ancient door open wider on its rusty hinges, I’m startled to see a silhouette in the window seat. And the silhouette is equally startled by me. “Sacrebleu!” A dark-haired beauty emerges in statuesque splendor, silk blouse, bright red lipstick, and a cigarette holder between her fingers. “I thought you were my maman come to catch me out.”
“Your maman?” I ask, confused.
The elegant stranger stares. “. . . Marthe?”
I stare back without recognition.
She smirks. “You don’t remember me, do you?”
I feel like I should. No artist should forget cheekbones like hers, but lots of people pass in and out of this castle every day, and have every day of my life. Still, I find something familiar about her long dark eyelashes . . .
“About ten years ago,” she prompts. “Maman brought me with her for some holiday function. You were one of the only girls at the orphanage, so I knitted you a red beret . . . and you took me sledding.”
That jogs my memory. I was thirteen, and she was twelve, sporty and boyish. She’s all girl now, which is why I didn’t recognize her as the baron’s daughter. “Anna de LaGrange?”
Flashing an art deco wedding ring set on her left hand that nearly blinds me with the green sparkle of its big emerald baguettes, she says, “I became the comtesse de Guebriant just before the war . . . not that marriage would stop Maman from scolding me like a child if she caught me smoking near her sacred relics.”
She gestures irreverently to the crates filled with old donations to the castle’s museum that haven’t been sorted yet. Uniforms, maps, flags-tokens of the supposedly unbreakable alliance of Western democracies that helped win the last war. But in this war our British allies left us at Dunkirk, and the Americans let Hitler invade us with a neutral shrug. So as far as I’m concerned, these crates contain the detritus of a democratic alliance in decay. And given the current state of affairs, I don’t think a little tobacco smoke is going to do it any more harm . . .
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