Bad Girls of the Ancient World: Extended Version
Today I’m taking on this subject solo to introduce you to the ancient bad girls of Western Civilization–those women who defied social convention and sometimes changed the world as a result. These women are fascinating and in the context of my forthcoming novel, Lily of the Nile, they also served to inspire my heroine, Cleopatra Selene.
The historic Selene was born into a dangerous political world, a civilization on the brink of change, and one that may have embraced a more egalitarian view of women if her parents had won their struggle with Octavian. Instead, the independence and power of Selene’s mother as a ruler became a pretext for war, and the misogyny of the Augustan Age took root.
It’s taken us more than two-thousand years to move away from the attitudes towards women that were fostered in Selene’s time, so let’s talk about those bad girls who inspire us and serve as everlasting examples of how ancient attitudes about women still influence us today.*
Dido — Queen of the Carthaginians
Though some have argued that Dido is only a mythological figure, it seems more likely that she was a real historical figure–a Princess of Tyre, granted the right to rule jointly with her brother. However, her brother wasn’t keen on sharing power so he murdered Dido’s wealthy husband with the intention of taking over the palace. What Dido did next set her apart from most other women of known history–she didn’t seek out shelter in another kingdom as a wealthy exile, nor did she try to re-marry a powerful king to help her recover the rulership of Tyre. Instead, Queen Dido led a group of settlers and government officials who remained loyal to her and founded the city of Carthage in North Africa.
She not only shaped her own fate but created a new civilization. She was also, apparently, highly religious. And when she faced political domination by a neighboring country that wanted to force her into marriage, Dido stabbed herself to death and threw herself upon a funeral pyre in dedication to her goddess.
So why did she come to be thought of as a bad girl in the ancient world?
Because the Romans and the Carthaginians would go on to battle each other for supremacy in the ancient world, the Roman hostility towards a civilization founded by a powerful woman helped forge the Roman character and its attitude towards women. Virgil’s Aeneid, the quintessential propaganda epic of the Augustan Age, immortalizes Dido as a temptress who quite nearly dissuaded the upright Aeneas from his duty to found Rome. (Historically, it’s unlikely that Dido and Aeneas could have ever crossed paths, but a Roman historical fiction writer like Virgil couldn’t resist the temptation to imagine their failed love affair, and who could blame him?)
For the Romans, Dido was a woman who should have submitted to her brother’s rule and never taken it upon herself to build a new city or refuse marriage to another man. And because the Romans defeated the Carthaginians, it’s their attitudes that we have inherited through history.
Sophonisba — Carthaginian Princess and Patriot
There are a number of stories about proud Carthaginian women who chose death as an alternative to being ruled by men, or by Rome. Sophonisba is another of them. The legend surrounding her is that she was a fiercely patriotic princess who was betrothed to Massinissa of Numidia. But when her intended groom allied with Rome, she decided to marry the Numidian leader Syphax instead.
But Sophonisba’s jilted groom didn’t forget her. Perhaps as much from injured pride as for political reasons, Massinissa defeated Syphax and claimed Sophonisba as his bride. She married him, but tried to use his love for her to turn him against the Romans. (Or at least, this is what they feared she might do.)
Sophonisba never took up arms against the Romans; she wasn’t a political enemy in the conventional sense. However, the Romans were threatened by women who used their sexuality for political gain. Marking her for an enemy, the Romans demanded that she be handed over and marched in a triumph through Rome as a captured slave. Sophonisba drank a cup of poison instead.
As a young North African queen and wife of Juba II who was himself a descendant of Massinissa, Cleopatra Selene must have heard this story; it’s difficult to imagine that it didn’t remind her of her own mother.
Olympias — Mother of Alexander the Great
This Greek princess and supposed descendant of Achilles met her husband, Phillip II of Macedonia, while being initiated into the mysteries of an ancient cult. She was always suspected, ever after, of sorcery and congress with serpents. Though she was the fourth of Phillip’s wives, he claimed it was a love match, and she appears to have believed him until he started marrying other women. When Phillip married a seventh time and drunkenly accused Olympias of infidelity, she packed up her things and left Macedon.
Fortuitously–and perhaps not coincidentally–her husband was assassinated shortly thereafter. Olympias was able to install her son Alexander on the throne and he would go on to become ruler of the known world. But Olympias didn’t simply fade into the woodwork; she was an active participant in Alexander’s political regime. After her son’s death, though she was in her fifties, Olympias commanded an army in the field to preserve the throne for her baby grandson. What’s more, she won. For a short time, she was the mistress of Macedonia, at the zenith of her power. Eventually, she was defeated by Cassander and executed, thought to be far too dangerous to leave alive, but she leaves behind the archetype of a fiercely protective mother.
As a descendant of Alexander’s Macedonian general, Ptolemy, Selene was a kinswoman to Olympias and probably learned about her exploits.
Cleopatra — The Most Powerful Woman in the History of the World
As the consort of not one, but two Roman generals, Cleopatra earned a reputation as a seductress. Though she was a Hellenistic Queen, the Romans thought of her as foreign and exotic. Because she respected older Egyptian traditions, the Romans disdained her for worshipping all manner of strange gods. What’s more, her enemies believed she was capable of wielding magic. And if that weren’t bad enough, Cleopatra was also a warrior queen, capable of commanding her own warships.
She’s come down to us as a familiar and iconic image. Everyone has heard about the infamous Queen of the Nile, and there’s a good reason for it. She was, and remains, the most powerful woman in the history of the world. Though we’ve since had powerful queens, the geographic scope of their authority has been smaller. We’ve also had women serve as prime ministers of important countries, but their powers have been limited and sharply circumscribed. Cleopatra was not only the queen of Egypt in her own right, but in concert with her Roman husband, the biddable Marcus Antonius, she wielded unprecedented power. Until the Battle of Actium, she was poised to rule the entire world. But for some bad weather and a wildly successful propaganda campaign against her, the world might be a much different place today.
It’s difficult to wonder what lessons Cleopatra’s daughter Selene must have taken from her rise and fall. Selene herself was born in Ptolemaic Egypt, the best possible place to be born a woman in the ancient world. Raised in Alexandria, she would never have lacked for strong female role models.
Nonetheless, Cleopatra Selene was not a bad girl of history; she managed, somehow, to wield great political power and religious influence without ever falling afoul of the patriarchy. This may be because no sexual scandal touched her during her twenty-year marriage to Juba II or because she never took up arms on a battlefield.
Even so, she never forgot the important women in her life or in her legacy and neither should we.
* This post is meant as a salacious general discussion of notorious bad girls in the ancient world and lacks the precision of a more scholarly article.
The Lamentable Embassy of Royal Orphans
The heroine of my debut novel, Lily of the Nile, is Cleopatra’s daughter, the young Princess of Egypt who would be marched as a chained prisoner through the streets of Rome. At the end of a Roman triumph–that military parade during which generals celebrated their victories–their captives were often strangled or killed. There were, however, notable exceptions.
The children of royal families were sometimes spared from execution and kept as hostages to secure the submission of any remaining allies and ensure the good behavior of their conquered homelands. Such was the case with Cleopatra Selene, her twin Alexander Helios, and their younger brother Ptolemy Philadelphus. These three young children, the last survivors of the Ptolemaic dynasty, were not only spared, but taken into the household of Augustus to be reared by his sister.
Though hostage-taking was common enough in Rome even before Augustus came to power, it was this first emperor of Rome# who made a political art form of collecting the children of his enemies. Selene grew up amongst a houseful of children in what the French historian Auguste Bouche-Leclercq would call “the lamentable embassy of royal orphans.”
Some of these orphans were her own brothers and sisters, her father’s children by other wives. Iullus Antonius, the only one of Antony’s Roman sons to survive, probably last saw his father when he was seven years old and was formally brought into Augustus’ household when he was eleven. His mother died while he was still a toddler, so he likely had few memories of her. Augustus’ family may have been the only family that Iullus ever knew and he was granted extraordinary favors by the emperor–who gave his own niece Marcella to Iullus in marriage. (Still, a full-blooded heir of Antony was a dangerous man to leave alive, and this may have been Iullus’ undoing later in life.)
Another of the children Augustus collected for his political stratagems was Juba, son of a fierce Numidian king of the same name who chose the wrong side in a war against Rome and paid the price for it with his life. Juba was quite possibly an infant when his father was forced to suicide and no older than five years old when he was displayed in Caesar’s triumph. Unlike Selene, he would have no memories of his homeland nor siblings with whom to recount the tragedies of his young life. He was raised as a Roman boy and the family of Augustus was the only family he knew. Juba was a prodigy, recognized for his scholarship before the age of twenty. He served Augustus in a military capacity in Spain, and possibly before then in the war against Selene’s parents, and went on to become Selene’s husband and Rome’s most trusted client king.
Selene came to Rome in chains but left as a Queen and both she and her husband proved to be such fine examples of what could be accomplished by this policy of benign hostage-taking, that it would become a central hallmark of the Augustan Regime. Augustus would transform a boy named Hyginos who had been taken from Spain into his chief librarian. He would host the sons of King Herod so as to determine which of them might make a better heir for the troubled Judean kingdom. He would return a hostage prince to the Parthians in exchange for a peace treaty only to later host Parthian princes as guests, to indoctrinate them in the Roman way.
From our modern vantage point, there’s something decidedly sinister about using children in this way, and my novel examines the personal toll it might take on a little girl. But I must also point out that the policy was wildly successful and helped cement nearly a hundred years of relative peace that would come to be known as the Pax Romana.
The Month to Honor Augustus

In 8 BC, the month of Sextilis was re-named in honor of Rome’s first emperor and we’ve called it August ever since. It seems only right that we should take this month to celebrate his accomplishments.
In deciding which month to claim as his own, Augustus passed over the month of his own birth in favor of the month in which he conquered Cleopatra. Augustus put an end to the civil wars by ruthlessly eliminating all possible rivals. However, once he was the unquestioned ruler of the empire, he was able maintain a period of relative peace and prosperity for the Romans that lasted more than two hundred years. This became known as the Pax Romana.
A superb administrator, he seems to have attempted to inculcate a love of peace in the Roman mindset that transcended the more traditional aspirations of war-booty and territorial expansion. What’s more, unlike his predecessor, Julius Caesar, Augustus had a knack for recruiting men who would not only be useful to him, but also, loyal to him. For example, though Augustus wasn’t talented on the battlefield, he befriended men of military brilliance, like his school friend, Marcus Vipsanius Agrippa.
Order was the byword of his regime, and he used his authority as “First Citizen” to reform and stabilize the empire. He introduced the notion of publicly funded police and fire fighters. He maintained a standing army to defend Roman territory. He built an unprecedented number of roads and instituted public projects on a scale never attempted before, or perhaps since. He standardized taxation throughout the empire and he restored a great many temples. He also commissioned great works of art, including the nationalistic epic poem, Virgil’s Aeneid.
Of his most enduring legacies was the effective political use of an appeal to traditional values. Augustus asked the Romans to reform their behavior so as to be in keeping with older and supposedly more simple times. He passed all manner of social legislation that directly interfered with the family lives of his subjects–laws on marriage, adultery, and social obligation. His attempt to transform Roman society was ultimately a failure: within a generation, the debauched days of Caligula were visited upon the Romans. However, the political notion of a culture war endures to this day.
How Did Cleopatra Really Die?
The story of Cleopatra’s death, as handed down to us by her conqueror, is that she killed herself by means of a poisonous snake. According to Suetonius, the stunned Octavian summoned snake charming Psylli to suck the poison from puncture wounds found on her arm. Later, she was depicted in a wax effigy during Octavian’s triumph with an asp clutched to her breast and contemporary poets like Virgil also alluded to the snake as the instrument of her death.
It could be that they were all wrong. As Plutarch eventually admits, no one knows the truth of how Cleopatra died. Strabo may have actually been in in Alexandria at the time of her death, and he suggests that she may have put poison at the end of a needle. But none of the ancients seem to have favored the idea that she gulped down a poisonous mixture in the form of a drink, so modern claims that there was no cobra and that she drank a poison concoction must be eyed with at least a little healthy skepticism.
It’s become fashionable to challenge the manner in which Cleopatra died and also to suggest that she may have been murdered or forced to suicide. It’s even theorized that Octavian sent Dolabella to the queen with an elaborate story about how she’d be dragged through the streets of Rome for the express purpose of convincing her that killing herself was the only way to preserve her dignity.
Adherents to these theories point out that Octavian was a master propagandist who wanted to be rid of the queen and was willing to lie about how she died so as to ensure that he’d be held blameless. However, it seems that historians ought to base their conclusions upon more than a belief that Octavian was a liar.
It may well be true that a living Cleopatra was an enormous inconvenience to Octavian. He was undoubtedly better off with her dead than alive. However, it’s equally true that there isn’t a single ancient source that accuses Octavian of having killed the queen or having encouraged her to kill herself. In fact, Plutarch tells us that Cleopatra was researching painless forms of suicide long before Octavian stepped foot in Alexandria and his information may have come from Cleopatra’s only living daughter, through Juba II. Moreover, we’re presented by an undisputed claim that when Cleopatra was first captured, she was already trying to kill herself with a knife. Even after she was disarmed by Gaius Proculeius, the queen thereupon stopped eating and allowed herself to succumb to illness until Octavian threatened her children. All of this happened before the much ballyhooed talk with Dolabella, and establishes a pattern of suicidal behavior.
Finally, there is the matter of Octavian trying to revive her. Certainly, Octavian was not above play-acting, but this would seem to fit the pattern of historical sources that tell us the queen’s death came as a surprise to him.
Like Plutarch, I’ll admit that no one knows the truth of how Cleopatra died. But the preponderance of the evidence still seems to be that she took her fate into her hands and ended her own life…quite possibly with the help of a venomous snake. And for purposes of a historical novelist, suicide by snake was good enough for Margaret George, so it’s good enough for me!




